“…Stick Against Stone is horns and percussion and horns and percussion and percussion and horns and more percussion…” - Bob Wenzel – 1982
Hey all – it’s been awhile since our July SAS Orchestra shows, and in an effort to capture all those months of rehearsing and the energy behind the performances, we’ve been recording an album of Stick Against Stone songs with the SASO team. It. Is. Sounding. Amazing. Really. We’re knocked-out by how rich the sound is, and while we’ve got a ways to go, we’re excited to think about a release in the early part of 2012. We’re working on 12 to 13 songs for the record.
We’re also editing the film portion of the doc, and are working on the eBook planning process – too. Much to do, many to co-ordinate with – but all good markers of progress.
The Stick Against Stone (SAS) Orchestra will be performing songs not heard in almost 30 years from the rediscovered songbook of Stick Against Stone, as part of a free outdoor concert on Saturday, July 9th at 2pm at the Herbert Von King Park Recreation Center (670 Lafayette Avenue) in the Bedford-Stuyvesant neighborhood of Brooklyn, NY.
The SAS Orchestra LIVE!
THIS Wednesday, June 8th at 10:30pm Sullivan Hall 214 Sullivan Street (btwn. Bleecker & 3rd) New York, NY 10012
Come show your support at our first official show! The SAS Orchestra is a 12+ member, rather large band – performing selections from the songbook of the group Stick Against Stone – with songs not heard live in nearly 30 years. We’ll be filming this for the documentary.
This summer, the surviving members of Stick Against Stone will join forces with some local musicians to play some gigs for the first time in close to 30 years.
In addition to these shows, a documentary about the band’s history and its deceased frontman John Creighton, Get It All Out, is currently in production, with an eye towards a 2012 release. And on top of that, Creighton’s writings and poetry have been compiled into an interactive eBook which will see release later this year.
All this activity would be impressive for any indie band. But how – and why – has all this activity come together for an obscure no-wave/post-punk/free jazz band from the early ‘80s?……..(continued)
Where do you go to find the right team of collaborators for something that’s never exactly been done before? Who’s your Dream Team for the Unseen? What are their roles and responsibilities? ……..(continued)
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